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Tuesday, October 20, 2009
The Chinese Rose
Took a walk yesterday in the Botanic Gardens at Cambridge, where Bristol based artist Luke Jerram will produce a work with
plants in the glasshouses later this week (as part of the NightJar festival) and spent some time considering the history of
the rose, not through looking at books or walls, but by wandering around the displays which are living, scented, tangible,
real flowers growing laid out in chronological beds which somehow all look the same now it is autumn and apart from a few
pale tea-roses most flowerheads are dead, shiveringly leafless. What strikes me most is how the history of English roses
in the past two centuries is bound in with China - how Chinese models provided the basis for development of the hybrids which
have become most familiar today. It strikes me most clearly as I am currently developing a summer school, with colleagues
at the RCA in London and at Tsinghua University in Beijing, which we hope to hold next year there, exploring co-design and
participatory processes, linking older people (including retired professors) living in Beijing with researchers in fields
of textiles, ageing, communication technologies, industrial and product design.....to achieve a mutual flow and hopefully
successful hybridity.....design for an ageing society is one potential title, the other (which I prefer) is design environment,
art, research......or DEAR for short. I'm also busily working with Vanessa - a bricolabs network colleague - on a project
related to the Kogi people who live in the Sierra Nevada in Colombia....who are also Elders, or Elder Brothers as they name
themselves in their writings - they say 'in the strength of the Mamo's wisdom lies the force of our roots...'.and preparing
to return to Brasil on Halloween for the Sergio Motta Instituto anniversary events in Sao Paulo before heading to Florianopolis
to Santa Catarina for a talk, with Paralelo colleague, Karla Brunet, about art, technology and environment......we are all
working hard in 'this trembling world' as the Kogi Mamos have named it.
5:47 am edt
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| SILK ROAD - WIND POWER |
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| Coal Store China - two power plants every week |

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| Full Dome Festival UK (programmed by Gaianova and I-DAT) |
| Stephen Wilson 'Art and Science NowThames & Hudson |

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| 'How scientific research & technological innovation are becoming key to 21stc |

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| Robert Hooke - Micrographia |

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| IDAT - VISUAL IMMERSIVE THEATRE |

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| Eunju Han - Telecommunicative Weather-Map |

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| Eduardo Kac: From 'Lagoglyphs', 2007 |

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| Elvira, Philosopher from Barcelona, Alicia, Bronac and Yukiko |

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| Jorgen Leth |

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| Thomas Heatherwick's Seed Cathedral - Seeds |
| In through the looking glass? |

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| Photo: Giselle Beiguelman |
Next Nature - Koert Van Mensvoort

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| http://www.nextnature.net |
| http://www.gear-up.info |

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| photo: Tiego Rodriguez |
| http://www.gear-up.info |

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| Photo: Tiego Rodriguez |

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| Photo: Tigeo Rodriguez |

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| Fibonacci Patterns |

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| Suely Rolnik and Felix Guattari, Molecular Revolution in Brazil |
| London Calling: by Barry Miles |

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| The front of Maggs Rare Books 50 Berkeley Square |

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| Maggs has some resident ghosts..... |
| Minimaforms |

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| From Memory Cloud |
| New book by Sarah Cook & Beryl Graham |

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| The Heraclitus |

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| More at: http://wiki.bricolabs.net/index.php/WaterLabs |

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| Images from Paralelo workshop led by Conditional Design |

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| Wapke Feenstra & My Villages/Former Farmland |

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| Landelion (The Kitchen Budapest) |
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| Edward Ihnatowicz work at Kinetica |

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| Nadav Kander. Construction Mound, Chongqing, 2006. Nominated for Yangtze, The Long River Series, 200 |

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| (c) Nadav Kander - Mountains and Mist, from 'Yangtze the Long River' |

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| http://www.pearcemarchbank.com/ |
| Nyehaus |

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| http://www.minusspace.com/?s=indica+gallery&x=15&y=12 |
| Henry S. Rzepa |

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| http://www.ch.ic.ac.uk/rzepa/ |
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| Liliane Lijn's party installation |

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| Station House Opera - A Split Second of Paradise |

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| Station House Opera at Salisbury Festival |

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| Kohi Village at Night, credit Allan Kasin) |


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| Ancestral Objects - composition, credit Juan Nieves; |

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| Mamo Luis - Credit Allan Kasin |

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| Tairona Mascaras |
Hiperface Panorama
Greenland credit London Fieldworks
Plans for Outlandia treehouses - London Fieldworks
| Fernando Rabelo |

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| Low Tech VJ Control |
| Magnetic Field |

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| Berenice Abbott |
| Mapping Digital Culture in Brazil |
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| Infinite Cube - Rejane Cantoni & Leonardo Crescentti |
http://www.virtueelplatform.nl/en/#2646
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| Jose Garcia - IDE at RCA, final show |
http://www.thebigbranch.com/
http://www.virtueelplatform.nl/en/#2653
| One of the amazing outdoor works by Usman Haque |

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| Minimaforms: MemoryCloud |

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| Kohnen Base with Diamond Dust (Hannes Grobe, AWI) |

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| INFECTIOUS - STAY AWAY Dublin Science Gallery |



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| http://en.wikipedia.org/wiki/File:West-Indisch_Huis.jpg |

| Stephane Mallarme |
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| ...dissolving form.....pretext hypertext |

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| Edouard Manet - Le Corbeau |
| http://www.medienkunstnetz.de/works/schema/ |

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| Dan Graham, «Poem Schema», 1966 1969 Schema (March, 1966) | © Dan Graham |
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