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Friday, March 12, 2010
Agglutinations
It's a word I picked up from Suely Rolnik and Felix Guattari's brilliant 'Molecular Revolution in Brazil' (2008 MIT Press)
text and it seems so apt in terms of the ways in which ideas and projects appear to be connecting to each other in my life
at present. The area where I live in South London used to be almost artist-free - I could wander around at weekends to my
heart's content and not run the risk of running into anyone who I knew from my professional life during the weekdays which
I would tend to spend running from arts project to arts project often East London centred or north London bound. Now
its a case of bumping into related things at every step. Not only has Brixton Market been (justifiably if belatedly) infiltrated
by design types occupying stores p(r)opping up shops and turning empty spaces into galleries alongside open source fairtrade
coffee stalls, large-eyed fishmongered tables, handmade beef pies and Caribbean patties - but also in Camberwell where
I ventured this morning (seeking some fishballs, jack fruit and lychees from the Chinese supermarket) there's now a gallery
showing concrete visual art. 'Crystallisations - Making Order Visible' is an exhibition by Raymond Brownell at GX Gallery
of painting informed by geometry and mathematics on walls accompanied by explanations of by Fibonacci patterns. The
new South London 'syncretic movement' continues at Herne Hill where I finally go into a shop I've noticed for the past
few months and where I find the price tags on the bric a brac and worn leather furniture etc has been tied on using ribbons
honouring Senhor do Bonfim the sort of which I'd last touched when last in Salvador (ah saudade). So among the worn leather
swivel chairs and gilt mirrors which define the right kind of post modernist furniture store down south london way we now
have soft rag rugs and chair throws made from linen you can buy for less than you can in London on the warm streets of Northern
Bahia. Long may the global economy thrive if its bringing a bit of St Bonfim to Brixton.
9:47 am est
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| SILK ROAD - WIND POWER |
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| Coal Store China - two power plants every week |

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| Full Dome Festival UK (programmed by Gaianova and I-DAT) |
| Stephen Wilson 'Art and Science NowThames & Hudson |

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| 'How scientific research & technological innovation are becoming key to 21stc |

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| Robert Hooke - Micrographia |

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| IDAT - VISUAL IMMERSIVE THEATRE |

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| Eunju Han - Telecommunicative Weather-Map |

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| Eduardo Kac: From 'Lagoglyphs', 2007 |

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| Elvira, Philosopher from Barcelona, Alicia, Bronac and Yukiko |

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| Jorgen Leth |

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| Thomas Heatherwick's Seed Cathedral - Seeds |
| In through the looking glass? |

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| Photo: Giselle Beiguelman |
Next Nature - Koert Van Mensvoort

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| http://www.nextnature.net |
| http://www.gear-up.info |

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| photo: Tiego Rodriguez |
| http://www.gear-up.info |

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| Photo: Tiego Rodriguez |

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| Photo: Tigeo Rodriguez |

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| Fibonacci Patterns |

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| Suely Rolnik and Felix Guattari, Molecular Revolution in Brazil |
| London Calling: by Barry Miles |

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| The front of Maggs Rare Books 50 Berkeley Square |

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| Maggs has some resident ghosts..... |
| Minimaforms |

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| From Memory Cloud |
| New book by Sarah Cook & Beryl Graham |

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| The Heraclitus |

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| More at: http://wiki.bricolabs.net/index.php/WaterLabs |

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| Images from Paralelo workshop led by Conditional Design |

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| Wapke Feenstra & My Villages/Former Farmland |

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| Landelion (The Kitchen Budapest) |
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| Edward Ihnatowicz work at Kinetica |

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| Nadav Kander. Construction Mound, Chongqing, 2006. Nominated for Yangtze, The Long River Series, 200 |

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| (c) Nadav Kander - Mountains and Mist, from 'Yangtze the Long River' |

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| http://www.pearcemarchbank.com/ |
| Nyehaus |

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| http://www.minusspace.com/?s=indica+gallery&x=15&y=12 |
| Henry S. Rzepa |

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| http://www.ch.ic.ac.uk/rzepa/ |
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| Liliane Lijn's party installation |

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| Station House Opera - A Split Second of Paradise |

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| Station House Opera at Salisbury Festival |

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| Kohi Village at Night, credit Allan Kasin) |


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| Ancestral Objects - composition, credit Juan Nieves; |

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| Mamo Luis - Credit Allan Kasin |

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| Tairona Mascaras |
Hiperface Panorama
Greenland credit London Fieldworks
Plans for Outlandia treehouses - London Fieldworks
| Fernando Rabelo |

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| Low Tech VJ Control |
| Magnetic Field |

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| Berenice Abbott |
| Mapping Digital Culture in Brazil |
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| Infinite Cube - Rejane Cantoni & Leonardo Crescentti |
http://www.virtueelplatform.nl/en/#2646
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| Jose Garcia - IDE at RCA, final show |
http://www.thebigbranch.com/
http://www.virtueelplatform.nl/en/#2653
| One of the amazing outdoor works by Usman Haque |

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| Minimaforms: MemoryCloud |

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| Kohnen Base with Diamond Dust (Hannes Grobe, AWI) |

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| INFECTIOUS - STAY AWAY Dublin Science Gallery |



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| http://en.wikipedia.org/wiki/File:West-Indisch_Huis.jpg |

| Stephane Mallarme |
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| ...dissolving form.....pretext hypertext |

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| Edouard Manet - Le Corbeau |
| http://www.medienkunstnetz.de/works/schema/ |

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| Dan Graham, «Poem Schema», 1966 1969 Schema (March, 1966) | © Dan Graham |
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