Am finally finding time to write again after a few months slavery doing some things about which I am hazy, but they probably involved language of another sort being applied to other peoples' projects.  I have been getting the Visualise Public Art programme going at the Ruskin Gallery in Cambridge where I am acting as Guest Curator through to next summer - just organised a successful talk by audio visual environments pioneer Naut Humon - and am pretty excited at what lies ahead: with shows by Liliane Lijn, Jamie Allen, Susan Aldworth and Karen Inghams happening in January/February preceded by an open lab looking at various tools applications and approaches to sound walks through the city working with Enrique Tomas and Duncan Speakman as well as members of the Music Technology team at Anglia Ruskin University.  In March we hope to have Alessandro Ludovico (and Paolo Cirio) visit helped partly by European Erasmus funding and I'll organise a talk by them about the brilliant Face to Facebook as well as the other radical projects with which they have been involved. There's also be a talk about 'The Limits of Seeing' during Cambridge Science Festival when the Outreach Officer from the Institute of Astronomy will explain how exo-planets are discerned alongside other speakers from the Vision and Science Lab at ARU and an artist or two also discussing their powers of perception.  In June/July to coincide with the celebration of Alan Turing's centenary I'll do a show on 'Poetry Language Code' with Liliane Lijn, William Latham, John Cayley, Eduardo Kac and a few others and at the Institute of Astronomy we'll have a day about art, science and perception of space....erecting black marquees on the lawns and engaging in acts of collaborative observation.  In the middle of scheming all of this, I had a few days in Paris where I met Zhang Ga and Dominique Moulon for coffee in le Marais and am trying to decide if I should return my Apple first gen nano to its Maker.