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Blog Archive Newer | Older Sunday, June 27, 2010 In London - hottest day of the year so far, 30 degrees celsius - as England plunge to world cup doom and the tangible societal ecstasis on the streets of the city on Wednesday when the team actually managed to win a match has reverted to contemplative despair (rubbish, hopeless, useless are a few of the classier words being used). It's still London at its most intense: wandering with Brasilian artist Camila Sposati yesterday around the RCA Summer Show iwe find the galleries filled with designerly objects and attitudes - the Innovation Design Engineering department (a joint MA/Msc with Imperial College) throws up a fine mix of material, networked and systems based work (all addressing social, medical or environmental challenges)....the sound ofbrass bands in the neighbouring Albert Hall foyer seeps into the Royal College and a bit later, sitting in the cafe beside the Serpentine lake (blessed with a strong swan with attitude which descends over the water feet cascading like a racing car then parks herself at the water's edge arguing loudly with a small dog which dares to bark at her) we hear the sound of a crowd elsewhere in the park carousing then find out later in the night that Stevie Wonder has been performing somewhere there across the trees. Walking to Notting Hilll through the park that housed the original Crystal Palace, Camila tells me of her mother who worked on social projects in Brasil, as an academic and politician who engaed directly with public spaces and people for a time after the end of Military Dictatorship and of how her own work and many of her peers has skirted around direct involvement with such issues, taking a more abstract formalist bent. The night ends with a stroll around Portobello Road and talking about how some Brazilian political exiles had lived near there among the market stalls, the poets, the psychoanalysts and the Rastafarians during more troubled times back home.It reminds me of another evening a year or so ago when I walked along Portobello with Tony White and Claudio Prado, who was then Cultura Digital advisor to Gilberto Gil, and by complete chance we bumped into fab novelist Stewart Home, clutching a box of books about anarchism bound for Eastern Europe - one of which naturally fell towards Claudio and thence towards Sao Paulo. 5:41 pm edt Wednesday, June 9, 2010 Metadata meaning 309 Regent Street is the venue for a new show called How We Became Metadata which opened last night in London (at Westminster University's newly kitted out gallery space just up from Oxford Circus) which connects works by artists, designers and architects who the curator Marquard Smith selected on the basis of their relationship with 'the logic, the status, and the nature of data, information and knowledge' and their desire 'to follow and to intervene in its unchecked rhythm'. Included are works by Thomson & Craighead - pretty tea-towels imprinted with pages showing results of Google searches made in 2002, stating 'Please listen to me' 'Can you hear me?' 'Is there anybody there?' and 'Please help me', which were originally part of www.dot-store.com - a brilliant early retail online artists initiative selling vintage products and services http://www.thomson-craighead.net/dotstore/system/index.html; as well as deft and delicate 'Lagoglyphs' made by Eduardo Kac in 2007, silkscreen prints of pictograms forming 'a kind of cryptolanguage' concealing and revealing simultaneously 'as counterpoint to the barrage of discourses generated through, with and around Kac's infamous 'green glowing bunny, called Alba, created in 2000'. RCA PhD researcher Eunju Han from Korea shows a 2D form of her installation 'Telecommunications Weather Map' which uses nano carbon tubes and LED lights to depict the temporal and spatial flow of data based on actual readings of mobile telephone communications over a 24 hour period in Seoul made in 2008. Essays by Sas Mays (Meta-Data and the Archive) and Gary Hall (We Can Know It For You: The Secret Life of Metadata) critically tie these and the other works together in an informative catalogue with Hall's essay telling us: 'for all its associations with computer science, metadata is never neutral or objective. The specific ways in which metadata is created, organised and presented helps to produce (rather than merely passively reflect) what is classified as data and information - and what is not. Clearly then, it's not just a question of free and open access to the research data. It's also a question of who (and what) makes decisions regarding the metadata, and on what basis such decisions are made'. He paraphrases Lyotard' 'Who decides what metadata is, and who knows what needs to be decided'.... also that 'members of Facebook are labouring for free, not only to make the owners of this social network make a reputed $1Billion a year from demographically targeted advertising but to supply law enforcement agencieswith profile data about yourself, your family, friends and colleagues'. The only real-time piece in the show - '/Make Westing/' 2010 by Corby & Baily and Jonathan Mackenzie wasn't yet working making the description in the catalogue appropriate - ' we hope to articulate an aesthetic of /system-ness/ - a metanym for the interconnected forces operative within ecosphere to which lived human behaviour contributes and is a part'. Today I'm off to the Tate to check out the Surveillance exhibition with the master of counter-surveillance heath bunting and Peet Thomson who runs http://www.blackboxgallery.dk/. That's if I can find them in the cafe beforehand. 7:01 am edt Archive Newer | Older undefined undefined Random Superimposition of Zeros and Ones (Jasmine Rivett) Fro "typoaktionen" Hansj�rg Mayer From "typoaktionen" Hansj�rg Mayer (1967) Karen Eliot (by Stewart Home) Brecht Zecora Ura installation in QEPark Stratford from exhibition at Brazilian Embassy (Augusto de Campos/William Blake) Grave of Wittgenstein James Acord - Nuclear Wind Turbine HeHe: 'Is there a horizon in the deep water?' HeHeJesusGreen HeHe: Deep Water Horizon 18.12.2010 S London Cloud: Yellow Lining series. Artist: Helen Couchman Gorillaz Softday 'Lovely Weather' Residency David Rosenberg outside Jewish Synagogue Whitechapel London (picture Bronac Ferran) Senate House, London SILK ROAD - WIND POWER Coal Store China - two power plants every week Full Dome Festival UK (programmed by Gaianova and I-DAT) Stephen Wilson 'Art and Science NowThames & Hudson 'How scientific research & technological innovation are becoming key to 21stc Robert Hooke - Micrographia IDAT - VISUAL IMMERSIVE THEATRE Eunju Han - Telecommunicative Weather-Map Eduardo Kac: From 'Lagoglyphs', 2007 Elvira, Philosopher from Barcelona, Alicia, Bronac and Yukiko Jorgen Leth Thomas Heatherwick's Seed Cathedral - Seeds In through the looking glass? Photo: Giselle Beiguelman Next Nature - Koert Van Mensvoort http://www.nextnature.net http://www.gear-up.info photo: Tiego Rodriguez http://www.gear-up.info Photo: Tiego Rodriguez Photo: Tigeo Rodriguez Fibonacci Patterns Suely Rolnik and Felix Guattari, Molecular Revolution in Brazil London Calling: by Barry Miles The front of Maggs Rare Books 50 Berkeley Square Maggs has some resident ghosts..... Minimaforms From Memory Cloud New book by Sarah Cook & Beryl Graham The Heraclitus More at: http://wiki.bricolabs.net/index.php/WaterLabs Images from Paralelo workshop led by Conditional Design Wapke Feenstra & My Villages/Former Farmland Landelion (The Kitchen Budapest) Edward Ihnatowicz work at Kinetica Nadav Kander. Construction Mound, Chongqing, 2006. Nominated for Yangtze, The Long River Series, 200 (c) Nadav Kander - Mountains and Mist, from 'Yangtze the Long River' http://www.pearcemarchbank.com/ Nyehaus http://www.minusspace.com/?s=indica+gallery&x=15&y=12 Henry S. Rzepa http://www.ch.ic.ac.uk/rzepa/ Liliane Lijn's party installation Station House Opera - A Split Second of Paradise Station House Opera at Salisbury Festival Kohi Village at Night, credit Allan Kasin) Ancestral Objects - composition, credit Juan Nieves; Mamo Luis - Credit Allan Kasin Tairona Mascaras Hiperface Panorama Greenland credit London Fieldworks Plans for Outlandia treehouses - London Fieldworks Fernando Rabelo Low Tech VJ Control Magnetic Field Berenice Abbott Mapping Digital Culture in Brazil Infinite Cube - Rejane Cantoni & Leonardo Crescentti http://www.virtueelplatform.nl/en/#2646 Jose Garcia - IDE at RCA, final show http://www.thebigbranch.com/ http://www.virtueelplatform.nl/en/#2653 One of the amazing outdoor works by Usman Haque Minimaforms: MemoryCloud Kohnen Base with Diamond Dust (Hannes Grobe, AWI) INFECTIOUS - STAY AWAY Dublin Science Gallery http://en.wikipedia.org/wiki/File:West-Indisch_Huis.jpg Stephane Mallarme ...dissolving form.....pretext hypertext Edouard Manet - Le Corbeau http://www.medienkunstnetz.de/works/schema/ Dan Graham, �Poem Schema�, 1966 1969 Schema (March, 1966) | � Dan Graham Enter supporting content here
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Archive Newer | Older Sunday, June 27, 2010 In London - hottest day of the year so far, 30 degrees celsius - as England plunge to world cup doom and the tangible societal ecstasis on the streets of the city on Wednesday when the team actually managed to win a match has reverted to contemplative despair (rubbish, hopeless, useless are a few of the classier words being used). It's still London at its most intense: wandering with Brasilian artist Camila Sposati yesterday around the RCA Summer Show iwe find the galleries filled with designerly objects and attitudes - the Innovation Design Engineering department (a joint MA/Msc with Imperial College) throws up a fine mix of material, networked and systems based work (all addressing social, medical or environmental challenges)....the sound ofbrass bands in the neighbouring Albert Hall foyer seeps into the Royal College and a bit later, sitting in the cafe beside the Serpentine lake (blessed with a strong swan with attitude which descends over the water feet cascading like a racing car then parks herself at the water's edge arguing loudly with a small dog which dares to bark at her) we hear the sound of a crowd elsewhere in the park carousing then find out later in the night that Stevie Wonder has been performing somewhere there across the trees. Walking to Notting Hilll through the park that housed the original Crystal Palace, Camila tells me of her mother who worked on social projects in Brasil, as an academic and politician who engaed directly with public spaces and people for a time after the end of Military Dictatorship and of how her own work and many of her peers has skirted around direct involvement with such issues, taking a more abstract formalist bent. The night ends with a stroll around Portobello Road and talking about how some Brazilian political exiles had lived near there among the market stalls, the poets, the psychoanalysts and the Rastafarians during more troubled times back home.It reminds me of another evening a year or so ago when I walked along Portobello with Tony White and Claudio Prado, who was then Cultura Digital advisor to Gilberto Gil, and by complete chance we bumped into fab novelist Stewart Home, clutching a box of books about anarchism bound for Eastern Europe - one of which naturally fell towards Claudio and thence towards Sao Paulo. 5:41 pm edt Wednesday, June 9, 2010 Metadata meaning 309 Regent Street is the venue for a new show called How We Became Metadata which opened last night in London (at Westminster University's newly kitted out gallery space just up from Oxford Circus) which connects works by artists, designers and architects who the curator Marquard Smith selected on the basis of their relationship with 'the logic, the status, and the nature of data, information and knowledge' and their desire 'to follow and to intervene in its unchecked rhythm'. Included are works by Thomson & Craighead - pretty tea-towels imprinted with pages showing results of Google searches made in 2002, stating 'Please listen to me' 'Can you hear me?' 'Is there anybody there?' and 'Please help me', which were originally part of www.dot-store.com - a brilliant early retail online artists initiative selling vintage products and services http://www.thomson-craighead.net/dotstore/system/index.html; as well as deft and delicate 'Lagoglyphs' made by Eduardo Kac in 2007, silkscreen prints of pictograms forming 'a kind of cryptolanguage' concealing and revealing simultaneously 'as counterpoint to the barrage of discourses generated through, with and around Kac's infamous 'green glowing bunny, called Alba, created in 2000'. RCA PhD researcher Eunju Han from Korea shows a 2D form of her installation 'Telecommunications Weather Map' which uses nano carbon tubes and LED lights to depict the temporal and spatial flow of data based on actual readings of mobile telephone communications over a 24 hour period in Seoul made in 2008. Essays by Sas Mays (Meta-Data and the Archive) and Gary Hall (We Can Know It For You: The Secret Life of Metadata) critically tie these and the other works together in an informative catalogue with Hall's essay telling us: 'for all its associations with computer science, metadata is never neutral or objective. The specific ways in which metadata is created, organised and presented helps to produce (rather than merely passively reflect) what is classified as data and information - and what is not. Clearly then, it's not just a question of free and open access to the research data. It's also a question of who (and what) makes decisions regarding the metadata, and on what basis such decisions are made'. He paraphrases Lyotard' 'Who decides what metadata is, and who knows what needs to be decided'.... also that 'members of Facebook are labouring for free, not only to make the owners of this social network make a reputed $1Billion a year from demographically targeted advertising but to supply law enforcement agencieswith profile data about yourself, your family, friends and colleagues'. The only real-time piece in the show - '/Make Westing/' 2010 by Corby & Baily and Jonathan Mackenzie wasn't yet working making the description in the catalogue appropriate - ' we hope to articulate an aesthetic of /system-ness/ - a metanym for the interconnected forces operative within ecosphere to which lived human behaviour contributes and is a part'. Today I'm off to the Tate to check out the Surveillance exhibition with the master of counter-surveillance heath bunting and Peet Thomson who runs http://www.blackboxgallery.dk/. That's if I can find them in the cafe beforehand. 7:01 am edt Archive Newer | Older
Archive Newer | Older
Archive
Newer | Older
Sunday, June 27, 2010 In London - hottest day of the year so far, 30 degrees celsius - as England plunge to world cup doom and the tangible societal ecstasis on the streets of the city on Wednesday when the team actually managed to win a match has reverted to contemplative despair (rubbish, hopeless, useless are a few of the classier words being used). It's still London at its most intense: wandering with Brasilian artist Camila Sposati yesterday around the RCA Summer Show iwe find the galleries filled with designerly objects and attitudes - the Innovation Design Engineering department (a joint MA/Msc with Imperial College) throws up a fine mix of material, networked and systems based work (all addressing social, medical or environmental challenges)....the sound ofbrass bands in the neighbouring Albert Hall foyer seeps into the Royal College and a bit later, sitting in the cafe beside the Serpentine lake (blessed with a strong swan with attitude which descends over the water feet cascading like a racing car then parks herself at the water's edge arguing loudly with a small dog which dares to bark at her) we hear the sound of a crowd elsewhere in the park carousing then find out later in the night that Stevie Wonder has been performing somewhere there across the trees. Walking to Notting Hilll through the park that housed the original Crystal Palace, Camila tells me of her mother who worked on social projects in Brasil, as an academic and politician who engaed directly with public spaces and people for a time after the end of Military Dictatorship and of how her own work and many of her peers has skirted around direct involvement with such issues, taking a more abstract formalist bent. The night ends with a stroll around Portobello Road and talking about how some Brazilian political exiles had lived near there among the market stalls, the poets, the psychoanalysts and the Rastafarians during more troubled times back home.It reminds me of another evening a year or so ago when I walked along Portobello with Tony White and Claudio Prado, who was then Cultura Digital advisor to Gilberto Gil, and by complete chance we bumped into fab novelist Stewart Home, clutching a box of books about anarchism bound for Eastern Europe - one of which naturally fell towards Claudio and thence towards Sao Paulo. 5:41 pm edt Wednesday, June 9, 2010 Metadata meaning 309 Regent Street is the venue for a new show called How We Became Metadata which opened last night in London (at Westminster University's newly kitted out gallery space just up from Oxford Circus) which connects works by artists, designers and architects who the curator Marquard Smith selected on the basis of their relationship with 'the logic, the status, and the nature of data, information and knowledge' and their desire 'to follow and to intervene in its unchecked rhythm'. Included are works by Thomson & Craighead - pretty tea-towels imprinted with pages showing results of Google searches made in 2002, stating 'Please listen to me' 'Can you hear me?' 'Is there anybody there?' and 'Please help me', which were originally part of www.dot-store.com - a brilliant early retail online artists initiative selling vintage products and services http://www.thomson-craighead.net/dotstore/system/index.html; as well as deft and delicate 'Lagoglyphs' made by Eduardo Kac in 2007, silkscreen prints of pictograms forming 'a kind of cryptolanguage' concealing and revealing simultaneously 'as counterpoint to the barrage of discourses generated through, with and around Kac's infamous 'green glowing bunny, called Alba, created in 2000'. RCA PhD researcher Eunju Han from Korea shows a 2D form of her installation 'Telecommunications Weather Map' which uses nano carbon tubes and LED lights to depict the temporal and spatial flow of data based on actual readings of mobile telephone communications over a 24 hour period in Seoul made in 2008. Essays by Sas Mays (Meta-Data and the Archive) and Gary Hall (We Can Know It For You: The Secret Life of Metadata) critically tie these and the other works together in an informative catalogue with Hall's essay telling us: 'for all its associations with computer science, metadata is never neutral or objective. The specific ways in which metadata is created, organised and presented helps to produce (rather than merely passively reflect) what is classified as data and information - and what is not. Clearly then, it's not just a question of free and open access to the research data. It's also a question of who (and what) makes decisions regarding the metadata, and on what basis such decisions are made'. He paraphrases Lyotard' 'Who decides what metadata is, and who knows what needs to be decided'.... also that 'members of Facebook are labouring for free, not only to make the owners of this social network make a reputed $1Billion a year from demographically targeted advertising but to supply law enforcement agencieswith profile data about yourself, your family, friends and colleagues'. The only real-time piece in the show - '/Make Westing/' 2010 by Corby & Baily and Jonathan Mackenzie wasn't yet working making the description in the catalogue appropriate - ' we hope to articulate an aesthetic of /system-ness/ - a metanym for the interconnected forces operative within ecosphere to which lived human behaviour contributes and is a part'. Today I'm off to the Tate to check out the Surveillance exhibition with the master of counter-surveillance heath bunting and Peet Thomson who runs http://www.blackboxgallery.dk/. That's if I can find them in the cafe beforehand. 7:01 am edt
Sunday, June 27, 2010
In London - hottest day of the year so far, 30 degrees celsius - as England plunge to world cup doom and the tangible societal ecstasis on the streets of the city on Wednesday when the team actually managed to win a match has reverted to contemplative despair (rubbish, hopeless, useless are a few of the classier words being used). It's still London at its most intense: wandering with Brasilian artist Camila Sposati yesterday around the RCA Summer Show iwe find the galleries filled with designerly objects and attitudes - the Innovation Design Engineering department (a joint MA/Msc with Imperial College) throws up a fine mix of material, networked and systems based work (all addressing social, medical or environmental challenges)....the sound ofbrass bands in the neighbouring Albert Hall foyer seeps into the Royal College and a bit later, sitting in the cafe beside the Serpentine lake (blessed with a strong swan with attitude which descends over the water feet cascading like a racing car then parks herself at the water's edge arguing loudly with a small dog which dares to bark at her) we hear the sound of a crowd elsewhere in the park carousing then find out later in the night that Stevie Wonder has been performing somewhere there across the trees. Walking to Notting Hilll through the park that housed the original Crystal Palace, Camila tells me of her mother who worked on social projects in Brasil, as an academic and politician who engaed directly with public spaces and people for a time after the end of Military Dictatorship and of how her own work and many of her peers has skirted around direct involvement with such issues, taking a more abstract formalist bent. The night ends with a stroll around Portobello Road and talking about how some Brazilian political exiles had lived near there among the market stalls, the poets, the psychoanalysts and the Rastafarians during more troubled times back home.It reminds me of another evening a year or so ago when I walked along Portobello with Tony White and Claudio Prado, who was then Cultura Digital advisor to Gilberto Gil, and by complete chance we bumped into fab novelist Stewart Home, clutching a box of books about anarchism bound for Eastern Europe - one of which naturally fell towards Claudio and thence towards Sao Paulo.
Wednesday, June 9, 2010
undefined undefined Random Superimposition of Zeros and Ones (Jasmine Rivett) Fro "typoaktionen" Hansj�rg Mayer From "typoaktionen" Hansj�rg Mayer (1967) Karen Eliot (by Stewart Home) Brecht Zecora Ura installation in QEPark Stratford from exhibition at Brazilian Embassy (Augusto de Campos/William Blake) Grave of Wittgenstein James Acord - Nuclear Wind Turbine HeHe: 'Is there a horizon in the deep water?' HeHeJesusGreen HeHe: Deep Water Horizon 18.12.2010 S London Cloud: Yellow Lining series. Artist: Helen Couchman Gorillaz Softday 'Lovely Weather' Residency David Rosenberg outside Jewish Synagogue Whitechapel London (picture Bronac Ferran) Senate House, London SILK ROAD - WIND POWER Coal Store China - two power plants every week Full Dome Festival UK (programmed by Gaianova and I-DAT) Stephen Wilson 'Art and Science NowThames & Hudson 'How scientific research & technological innovation are becoming key to 21stc Robert Hooke - Micrographia IDAT - VISUAL IMMERSIVE THEATRE Eunju Han - Telecommunicative Weather-Map Eduardo Kac: From 'Lagoglyphs', 2007 Elvira, Philosopher from Barcelona, Alicia, Bronac and Yukiko Jorgen Leth Thomas Heatherwick's Seed Cathedral - Seeds In through the looking glass? Photo: Giselle Beiguelman Next Nature - Koert Van Mensvoort http://www.nextnature.net http://www.gear-up.info photo: Tiego Rodriguez http://www.gear-up.info Photo: Tiego Rodriguez Photo: Tigeo Rodriguez Fibonacci Patterns Suely Rolnik and Felix Guattari, Molecular Revolution in Brazil London Calling: by Barry Miles The front of Maggs Rare Books 50 Berkeley Square Maggs has some resident ghosts..... Minimaforms From Memory Cloud New book by Sarah Cook & Beryl Graham The Heraclitus More at: http://wiki.bricolabs.net/index.php/WaterLabs Images from Paralelo workshop led by Conditional Design Wapke Feenstra & My Villages/Former Farmland Landelion (The Kitchen Budapest) Edward Ihnatowicz work at Kinetica Nadav Kander. Construction Mound, Chongqing, 2006. Nominated for Yangtze, The Long River Series, 200 (c) Nadav Kander - Mountains and Mist, from 'Yangtze the Long River' http://www.pearcemarchbank.com/ Nyehaus http://www.minusspace.com/?s=indica+gallery&x=15&y=12 Henry S. Rzepa http://www.ch.ic.ac.uk/rzepa/ Liliane Lijn's party installation Station House Opera - A Split Second of Paradise Station House Opera at Salisbury Festival Kohi Village at Night, credit Allan Kasin) Ancestral Objects - composition, credit Juan Nieves; Mamo Luis - Credit Allan Kasin Tairona Mascaras Hiperface Panorama Greenland credit London Fieldworks Plans for Outlandia treehouses - London Fieldworks Fernando Rabelo Low Tech VJ Control Magnetic Field Berenice Abbott Mapping Digital Culture in Brazil Infinite Cube - Rejane Cantoni & Leonardo Crescentti http://www.virtueelplatform.nl/en/#2646 Jose Garcia - IDE at RCA, final show http://www.thebigbranch.com/ http://www.virtueelplatform.nl/en/#2653 One of the amazing outdoor works by Usman Haque Minimaforms: MemoryCloud Kohnen Base with Diamond Dust (Hannes Grobe, AWI) INFECTIOUS - STAY AWAY Dublin Science Gallery http://en.wikipedia.org/wiki/File:West-Indisch_Huis.jpg Stephane Mallarme ...dissolving form.....pretext hypertext Edouard Manet - Le Corbeau http://www.medienkunstnetz.de/works/schema/ Dan Graham, �Poem Schema�, 1966 1969 Schema (March, 1966) | � Dan Graham
undefined
Random Superimposition of Zeros and Ones (Jasmine Rivett)
Fro "typoaktionen" Hansj�rg Mayer
From "typoaktionen" Hansj�rg Mayer (1967)
Karen Eliot (by Stewart Home)
Brecht
Zecora Ura installation in QEPark Stratford
from exhibition at Brazilian Embassy (Augusto de Campos/William Blake)
Grave of Wittgenstein
James Acord - Nuclear Wind Turbine
HeHe: 'Is there a horizon in the deep water?'
HeHeJesusGreen
HeHe: Deep Water Horizon
18.12.2010 S London
Cloud: Yellow Lining series. Artist: Helen Couchman
Gorillaz
Softday 'Lovely Weather' Residency
David Rosenberg outside Jewish Synagogue Whitechapel London (picture Bronac Ferran)
Senate House, London
SILK ROAD - WIND POWER
Coal Store China - two power plants every week
Full Dome Festival UK (programmed by Gaianova and I-DAT)
Stephen Wilson 'Art and Science NowThames & Hudson
'How scientific research & technological innovation are becoming key to 21stc
Robert Hooke - Micrographia
IDAT - VISUAL IMMERSIVE THEATRE
Eunju Han - Telecommunicative Weather-Map
Eduardo Kac: From 'Lagoglyphs', 2007
Elvira, Philosopher from Barcelona, Alicia, Bronac and Yukiko
Jorgen Leth
Thomas Heatherwick's Seed Cathedral - Seeds
In through the looking glass?
Photo: Giselle Beiguelman
Next Nature - Koert Van Mensvoort
http://www.nextnature.net
http://www.gear-up.info
photo: Tiego Rodriguez
Photo: Tigeo Rodriguez
Fibonacci Patterns
Suely Rolnik and Felix Guattari, Molecular Revolution in Brazil
London Calling: by Barry Miles
The front of Maggs Rare Books 50 Berkeley Square
Maggs has some resident ghosts.....
Minimaforms
From Memory Cloud
New book by Sarah Cook & Beryl Graham
The Heraclitus
More at: http://wiki.bricolabs.net/index.php/WaterLabs
Images from Paralelo workshop led by Conditional Design
Wapke Feenstra & My Villages/Former Farmland
Landelion (The Kitchen Budapest)
Edward Ihnatowicz work at Kinetica
Nadav Kander. Construction Mound, Chongqing, 2006. Nominated for Yangtze, The Long River Series, 200
(c) Nadav Kander - Mountains and Mist, from 'Yangtze the Long River'
http://www.pearcemarchbank.com/
Nyehaus
http://www.minusspace.com/?s=indica+gallery&x=15&y=12
Henry S. Rzepa
http://www.ch.ic.ac.uk/rzepa/
Liliane Lijn's party installation
Station House Opera - A Split Second of Paradise
Station House Opera at Salisbury Festival
Kohi Village at Night, credit Allan Kasin)
Ancestral Objects - composition, credit Juan Nieves;
Mamo Luis - Credit Allan Kasin
Tairona Mascaras
Hiperface Panorama
Greenland credit London Fieldworks
Plans for Outlandia treehouses - London Fieldworks
Fernando Rabelo
Low Tech VJ Control
Magnetic Field
Berenice Abbott
Mapping Digital Culture in Brazil
Infinite Cube - Rejane Cantoni & Leonardo Crescentti
http://www.virtueelplatform.nl/en/#2646
Jose Garcia - IDE at RCA, final show
http://www.thebigbranch.com/
http://www.virtueelplatform.nl/en/#2653
One of the amazing outdoor works by Usman Haque
Minimaforms: MemoryCloud
Kohnen Base with Diamond Dust (Hannes Grobe, AWI)
INFECTIOUS - STAY AWAY Dublin Science Gallery
http://en.wikipedia.org/wiki/File:West-Indisch_Huis.jpg
Stephane Mallarme
...dissolving form.....pretext hypertext
Edouard Manet - Le Corbeau
http://www.medienkunstnetz.de/works/schema/
Dan Graham, �Poem Schema�, 1966 1969 Schema (March, 1966) | � Dan Graham
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